I am sharing my huge congratulations to Mélisande Short-Colomb, and The Laboratory for Global Performance & Politics!
Méli, the core of storytelling that shapes your work is an essential gift in narrative for all the 'undiscussed' to be given as fodder for immersive investigation.
In my morning read I came across this article, by Harmony Holiday, on Literary Hub. It speaks to our, cultural celebration, setting the table, not just for guests, but for wisdom, perspective, anguish, shared pain -and inspiration.
In weeks to come I will be setting the table for the journey of 3 Frames / BY ME, a project just at the table, about to sit, share, celebrate -engage, and.. offer discourse. That, all to come.
..past plumbs present - in reading about Claude MacKay's novel, Romance In Marseille, reviewed in today's New York Times..
2nd rehearsal yesterday morning, gathered for Femi Osofisan’s work-in-process, NOT ALL CANOES SAIL BACK HOME, took place in Rehearsal Room 3..
..the space collects not only our artists of Sunday, who are performing as “Maya”, “Maryse”, and “Efua” – but now dancers, Cheikh Bassene and Yerodin Sanders, choreographer, Becky Umeh, and musician, 4 Joseph Ngwa!
This morning was the first gathering of an ensemble of women in the Terrace Theatre Rehearsal rooms, who put strong voice to the strong women Femi Osofisan evokes in his work-in-process, Not All Canoes Sail Back Home.